Month: October, 2011

Masculine Sami splendor.

Text and photo Laila Duran ©

In many parts of Scandinavia the men´s folk costumes are decorated with elaborate stitching and intricate cuts, but few have the adornment of silver like the Sami folk costumes. Visiting a wedding in Kautokeino, in the northern regions of Norway, I was stunned by the richly decorated men´s costumes. The belts with silver buttons and rattling leaves tell the story of the man´s origin and social status. The belts are made of leather and from the time of confirmation, at about the age of fifteen, the collecting of silver starts. Young unmarried men wear round silver buttons and married men wear square ones on their belts. The white silk neckerchief is the symbol of the bridegroom. This day is the first day he wears the belt with square gold gilded buttons. The fastening is a gold chain with a beautifully forged globe.

Photo Laila Duran Copyright

The kirtles (tunics) from Kautokeino are traditionally blue with hundreds of meters of ribbons stitched on to red cloth at the hem.

Photo Laila Duran Copyright

The belt with the square buttons symbolize that he is now a married man. The belt is fastened with a large buckle and a gold chain.
Photo Laila Duran Copyright

The bridegroom is wearing white on his wedding day. Both the silk neckerchief round the neck and the larger kerchief on the front of the kirtle are decorated with large brooches of gilded silver.

Photo Laila Duran Copyright

I have been told that the shape of the hat symbolizes the four points of compass: north, south, east and west.

Photo Laila Duran Copyright

The fronts as well as the backs of the kirtles are decorated with colorful ribbons stitched to red cloth. A brooch is fastened to the silk neckerchief and the neck line is closed using a silver clasp adorned with colored stones.

Photo Laila Duran Copyright

The belt of the unmarried man has round buttons with hanging leaves. As I had the pleasure of attending this wedding, I was delighted to see that all the belts were different in style and design. Personal taste and creativity allows everybody to design their own personal accessories.

Bunad and church shalw from Setesdal in Norway.

Text and photo Laila Duran ©

copyright Laila Duran

The folk costume or “Bunad” from Setesdal has a long and unbroken tradition. Randi Gåserud Myrum, working at the Setesdal Museum, is wearing the Bunad she made herself in 1990. Two woolen skirts are worn on top of each other: one white, “understakk”, and one black, “svartestakk”. Both have embroidered waist bands and hems decorated with strips of broad cloth. The wide skirts are held together with a woven belt, which is wrapped two times around the waist and closed in front with a silver clasp. The headdress is made in black wool with red printed flower motifs. The woolen stockings, “krotasokker”, are held up with leather garters with silver buckles which are called “spretti og sprota”.

Copyright Laila DuranOver the white shirt a jacket, called “Blåkofta”, is worn, which is short enough to show the embroidered skirt waistbands. It is closed with silver lacing rings and a silver chain.

Copyright Laila DuranThe jacket is embellished with embroidery at the cuffs, shoulders and center front.

Copyright Laila Duran

A shawl with woven pattern, “Kyrkjetæpe”, was worn over the Sunday best clothes when going to church in winter time. Since at least 1880, it was woven with a cotton warp and wool wefts in a technique called “skillbragd”, equal to Swedish “opphämta”. The name of the technique is derived from that the pattern shed was picked up and opened with a broad wooden stick.

Copyright Laila DuranThe shawl was 175 cm long and 55 cm wide. It was common to separate the red fields with borders in green, blue, pink, orange and purple color. The most elaborated shawls also had small flower motifs brocaded on the red ground. The shawl on the photo was woven in 1935 by the wearer’s mother in law.

Copyright Laila DuranFor more information about Setesdal and the museum please visit www.setesdalsmuseet.no

Bygdeskräddaren Gillis Jimheden, the tailor from Ranarp in Scania.

Text and photo Laila Duran ©

Copyright Laila Duran

During three days I was invited to see the folk costumes of Gillis and Monica Jimheden at their homestead in Ranarp in southern Sweden. The autumn colors where bright and with the help of his daughter and son-in-law we photographed ten different folk costumes. The most spectacular ones were the bridal and mourning costumes of Scania from the 19th century, but there was also the traditional “spedetröje”, a knitted garment used with the bodice-skirt. This will be shown in a later entry.

Copyright Laila DuranHanna Jimheden modeling a folk costume from “Bjäre” for the next edition of Scandinavian Folklore.

Copyright Laila Duran

Her hair is plaited with red ribbons before it is tied up at the crown of the head.

Copyright Laila DuranThe shoes used with the Scanian costumes are Empire style. Colorful ribbons in a variation of colors are used for decoration.

Copyright Laila DuranMonica wearing a formal festive costume from Vemmenhög. The white apron and the head dress are used only on festive occasions.

Copyright Laila Duran

Scania is known for the great variation of silver crosses used with the folk costumes. Here she is wearing a “sållakors” and a “IHS-cross”. The letters mean Iesus Hominem Salvator, translated by the peasants as Jesus Son of the Lord.

If you want to read more about the silver of Scania take a look at this link from the Duran Textiles Newsletter:  http://www.durantextiles.com/newsletter/images/6-09/art2/penningkors_eng.pdf

Copyright Laila Duran

The last day of the photoshoot the rain was pouring down. Still we managed to find shelter at the church of Forslöv and take some photos of the “bride and bride groom” as they would be dressed on their first day as husband and wife.

Copyright Laila Duran

The soil of Scania is rich and the landscape flat. It is perfect for pasture and cultivation of all kinds of vegetables.

Copyright Laila Duran